30

Jan

by Ki'a Dragon

To many people the very idea of Magical Engineering seems nearly oxymoronic. After all, engineering requires the application of scientific principles. And science and magic, as everyone knows, are not compatible.

I challenge that assumption. As a Automation Controls Engineer by trade and Mage by passion, I have found a great deal of common ground between engineering and magic. I have set out here to demonstrate that not only is magic and engineering compatible…they are at their basis inseparable.

Unknowingly, you apply engineering principles every time you work a spell. Don’t believe me? Fair enough. Lets examine a few definitions of Engineering (with a big ‘E’):

“The application of science and mathematics by which the properties of matter and the sources of energy in nature are made useful to people.”

Merriam-Webster’s Online Dictionary
Definition of Engineering

Nice and to the point. Now consider the following:

“The application of occult symbolism and metaphysics by which the properties of matter and sources of energy in nature are made useful to people.”

Ki’a Dragon
Re-Definition of Magical Engineering

See the match? Well, that is just one example. Lets try a more complicated one:

“The creative application of scientific principles to design or develop structures, machines, apparatus, or manufacturing processes, or works utilizing them singly or in combination; or to construct or operate the same with full cognizance of their design; or to forecast their behavior under specific operating conditions; all as respects an intended function, economics of operation and safety to life and property.”

The American Engineers’ Council for Professional Development
Definition of Engineering

Well, I can crack this one to. But I am going to add a few parenthesis here and there to help you understand the relationship I am drawing:

“The creative application of occult principles to design or develop structures (spells), machines (wands, amulets, etc), apparatus (homunculi or entities) or manufacturing processes (spellwork), or works utilizing them singly (solitary) or in combination (coven); or to construct or operate the same with full cognizance of their design; or to forecast their behavior (divination) under specific operating conditions (divination target question); all as respects an intended function (intended magical outcome), economics of operation (efficient spellwork) and safety to life and property.”

Ki’a Dragon
Longer Re-Definition of Magical Engineering

See where I am going with this? At its base, engineering is the practice of applying known principles of science in a manner that is generally predictable and repeatable. But the manner in which the engineer approaches finding solutions to their problems is a process not really understood by those who have never worked in the profession.

The engineer does not recalculate the physics of gas volume, pressure and compression when she selects a pneumatic cylinder to move a load of X grams. She does not spend time contemplating the equations regarding the deep physics that define our understanding of how gases behave in a pressurized environment. That initial work has already been done by research scientists and the engineer spends their time applying this existing research.

When the engineer is trying to find the correct pneumatic cylinder for moving X grams, she reaches for a reference work from a preferred supplier that lists their product line of pneumatic cylinders. Within this reference are simplified charts and equations that have distilled all the relevant physics equations that pertain to the specifications of their line of cylinders. These charts and equations make the work of selecting the correct cylinder more foolproof and they also save the engineer a huge amount of time in calculations.

Some of the finest electrical engineers I know would be totally lost during their hardware design phase if they did not have their engineering computer spreadsheets available to them. These spreadsheets have many mathematical equations embedded withing them that relate to voltage, current, resistance, phase, magnetic fields and other relevant properties of electrical design. With these spreadsheets, the engineer does not have to spend hours with calculus and Laplace transforms to deduce the exact amount of electrical load each component in the system will require and the most efficient type of transformer to supply the need. By checking their supplier’s component specifications and entering these into the spreadsheets embedded equations, they can determine the correct transformer in minutes or seconds.

Now that sounds too simple. Reading the section above, you might get a mental picture of engineers as a bunch of ‘monkey see, monkey do’ types with crib sheets. That is no more true with engineering that it is with magic.

Just picking up a magical grimoire from your local bookstore and following its steps exactly will no more make you a great mage than picking up engineering spreadsheets and following their calculations will make you a great engineer. You might be able to put together a working spell with the grimoire and solve a few simple problems, but the truly important work in magic can only be achieved through further education and practice. Someone with a minimum of electrical knowledge can use electrical engineering spreadsheets to construct a working circuit, but don’t expect that they will be able to design something like a television or a nuclear power station control console.

To distill this into a simpler parallel:

  • An engineer consults charts, tables and equations supplied by device manufacturers or by their own technical education to design their apparatus.

  • A mage consults charts and tables (astrology, Kabbalah, I Ching, tables of correspondence, numerology, oracles, etc) supplied by knowledgeable occult resources and their own magical education to design their apparatus (spellwork, magical tool, homunculi, divination, etc).

OK, any more cross referencing and I am going to bore myself to death. I think you understand my argument, even if you disagree with it.

Why is this parallel between spellworking and engineering of any significance? I believe that by utilizing many of the best practices of the engineering model in magical workings, we can achieve a greater accuracy of intent, better resolution in our results and better overall leverage of our magical talents.

In other words, being a magical engineering nerd can make you a more kick ass mage.

Even those who follow the shamanic path can increase their effectiveness by analyzing and refining their magical path with engineering best practices.

More to come…
Ki’a Dragon

This Copyright is licensed under Creative Commons 3.0

30

Jan

by Ki'a Dragon

A Special Journal to Dragonson : Cast from the Court of Jehovah

Childhood Trauma, Astral Projection and analysis from the Spirit Paradigm, Energy Paradigm, Psychological Paradigm and Information Paradigm.

More complete show notes shortly.

Music Notes:

Im No Heroine, Ani DiFranco from the album Imperfectly
The Trail of the Flame, Gibbon the Troubadour from the album Tillerman’s Rye
The Mushroom Song, Tricky Pixie from the album Mythcreants
Far Better Pagan, Paul Mitchell from the album Two Sticks are Better Than One
The Man Upstairs, Voltaire from the album The Devils Bris
Omnos, Eluveitie from the album Evocation I - The Arcane Dominion
Tough Titty Cupcakes, Tricky Pixie from the album Mythcreants

Again, the Climate Change Deniers try to spin another smoke screen argument. Watch this video and see what is actually happening with global temperatures right now.

9

Jan

by Ki'a Dragon

Readings from Peter J Carroll’s book, “Psyber Magick: Advanced Ideas in Chaos Magic”

and a reading the first draft of some new work by Ki’a Dragon on Magical Engineering

and the Jamendo Musical Review 2009.

HERE IS THE LINK TO THE FACEBOOK PAGAN CHAOS MAGIC PAGE.

Musical Notes:
“She”, by TenPenny Joke from the album Ambush on all Sides
“Can You Hear Me?”, by All Mankind
“Ghetto Child”, by K Sparks featuring Tina Quallo from the album Prepare for Glory by Cartel
“Ophelia’s Song”, by Musetta
“Black Satellite”, by TenPenny Joke from the album Ambush on all Sides
“Satellite”, by Major Major from their self titled album
“One Day of Brahma”, by Santah
“Dying Comets”, PeerGynt Lobogris from the album BlueMoon X DreamScape Time
“Chaos Engine”, by TenPenny Joke from the album Ambush on all Sides

25

Dec

by Ki'a Dragon

The FORBIDDEN episode concluded.

Thanks to Dee and listeners.

Long ramble tying forbidden sexuality and social structures to the concept of Tribe.

Ramble on ideas of IQ, potty parenting, Elimination Communication and more music.

Music Notes:
Daughter of the Glade, by Tricky Pixie from the album Mythcreants
Brictom, by Eluveitie from the album The Arcane Dominion : Evocation I
Hallelujah Satan, by Paul Mitchell from the album Two Sticks are Better Than One
The Banshee, by Gibbon the Troubadour from the album Tillerman’s Rye ***
It Ain’t Over Yet, by Tom Smith from the album They Say I’ve Got Talent

*** For information about purchasing Gibbon albums, email Bill.

12

Dec

by Ki'a Dragon

Ah well.  2009 was not the Year of the Pagan Podcast at the Podcast Awards.

GO WIGGLIAN 2010!!!

3

Nov

by Ki'a Dragon

The FORBIDDEN episode.

Forbidden sexuality (BDSM, bisexuality), social interactions (social ambush),  relationships (polyamory) and music (bisexuality, sacred feminine, pagan folk metal, polyamory).  This will all tie together with episode 14, but this one ran looong.

Musical Notes:

Ani Difranco: ‘Blood in the Boardroom‘ on album ‘Puddle Dive
Ani Difranco: ‘In or Out‘ on album ‘Imperfectly
Ani Difranco: ‘Superhero‘ on album ‘Dilate
Eluveitie: ‘The Cauldron Of Renascence‘ on album ‘Evocation I: The Arcane Dominion
Eluveitie: ‘Inis Mona‘ on album ‘Slania
Gaia Consort: ‘Perils of Poly‘ on album ‘Vitus Dance

Ani Difranco video of, ‘Blood in the Boardroom’ from album ‘Puddle Dive’:

Scorchingly Sexy live bootleg video of Ani doing ‘Name and Dates and Faces’ on the album ‘Puddle Dive’:

A truly awesome thirty minute acoustic performance from Ani recently.  I shed more than a few tears of shear joy and pain listening to her new stuff and her older stuff from my younger days.  This woman is a ‘personal guru from afar’.

I hope that this version of ‘32 Flavors’ is playing in the background at my memorial service (the last song on this video):

Eluveite video of ‘Inis Mona’ on album ‘Slania’ from their MySpace page:

Inis Mona Lyrics

And here is a cool fan piece with Eluveite’s ‘Cauldron of Reasonance’ on album, ‘Evocation I: The Arcane Dominion’ layered with nature action video:

14

Oct

by Ki'a Dragon

Ki’a and Dragonson.  A new Facebook picture seemed a good excuse to shoot us together.

This is the sort of crap the monied elite try to push.  Watch their lies develop and expand with clever retellings:

3

Oct

by Ki'a Dragon

In the First Segment, Ki’a Dragon raves about how cool the SJ Tucker show he just saw was.  He goes on about how pleasantly surprised he was to discover the singer/songwriter Tom Smith, who opened for SOOJ.

In the Second Segment, K.D. finally gets around to talking about Pop Culture and the Astral Plane.  Then he talks about some fresh new magical podcasts that have caught his attention.  Here are the links K.D. promised:

Adventures in Jediism, Chaos & Thelema : Podcast
Witchmix : Podcast
Ekistomancy - the Magic of Cities : Blog

In the closing scattered segments, K.D. plays new Tricky Pixie!!!  He gabs about being being absorbed by the Borg…er…Facebook.  The Forums are working here at PaganChaosMagic.com if you want to give them a try.

Musical Notes:
Rich Fantasy Lives“, Tom Smith from the album They Say I Have Talent
A Dragon’s Lullaby“, Tom Smith from the album They Say I Have Talent
Ballad of the Boy Cat“, Tricky Pixie from the album Mythcreants
Sympathy for the Devil“, Inkubus Sukkubus from the album Science and Nature